Aiko has zeroed in on her strengths as a performer (stoned perseverance, stoned exhaustion) and tailored Souled Out specifically around them. Her voice skips and flits across these compositions with a confidence that defies the limits of her range. These songs ask more of her than the mopey, low-register Drake-fan-service of her earlier material. But anchoring Souled Out are Aiko’s advancing command of her instrument and a more daring approach to melody. It’s a high-risk measure, a glut of solo mood pieces from an artist many may only have experienced a few lines at a time on friends’ choruses. Throughout the album, the predominant voice heard is hers barring some choice backing vocals from songwriter to the stars James Fauntleroy, the lone celebrity guest spot is a bottom of the ninth appearance from Common on the album closer “Pretty Bird (Freestyle)”. Sovereignty seems to be the mission of Aiko’s proper debut Souled Out. Even if the accompanying Sail OutEP was still a rap friends roll call, “The Worst” proved she could go it alone if need be, rapping and all. Last year’s “The Worst” was a Technicolor reveal, a performance involved and emotional enough to shake frequent comparisons to cult pop-R&B stoic Cassie and break Aiko on a national level without a celebrity co-star leading the way. Her debut mixtape Sailing Soul(s) flourished by co-opting the minor key melodies and navel gazing oversharing of R&B radio’s wistful sad boys, but her delivery hewed a touch too vacant, her words too indistinct, to carry an entire project. Much of the conversation about Aiko posited her as a musical foil for her more widely known rapper friends. There have been some comparisons towhich are premature and lazy, with the main difference being the British chanteuse's eminence of highbrow class and reticence for the spotlight, only releasing material and touring when equipped to come out of hiding often from plain sight.For over a decade, Los Angeles singer/songwriter Jhené Aiko has skirted the periphery of R&B stardom, thanks to an early association with the Omarion-led R&B boy band B2K, later work with Kendrick Lamar’s Black Hippy crew and more recently, Kanye mentor and Def Jam exec No I.D.’s Cocaine 80s collective. Could she have benefitted from more features?
She finds her own albjm truth, through his filter. Her pain from an unannounced event runs deep, as she proceeds to attacking his parents for failing in a multitude of ways. On the very next track, there has been a massive, somewhat confusing, change in said relationship from a relaxed courtship with no immediate pressure, to Aiko running her object of desire off the rails. Her voice will eownload the leader in this particular, very personal dance.
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The track becomes an immediate indicator that Aiko intends to center the album on her emotion, and not any other way. In a very bold and courageous move, she has decided to use her debut album, the soul-bearingas her first foray as a truly standalone act. However, the album's lack of diversity and dynamism, in overall production, nullifies Aiko's magnetism to a considerable extent.
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